Recovered Connections 2 - Interdependent Emergence of Tibetan Buddhist Schools

• Continued from Recovered Connections 1.

It is surprising to see just how prominent the Zhijé school is within the early Matho fragments. Fewer are identifiable with other schools like Sakya, Kagyu and even Nyingma.  Bon does show up twice, but there isn’t even one bit of a text I’ve noticed that can be assigned directly to a Bon religious source. This may indicate that the pre-Mongol* religious situation, in this part of the Plateau at least, was not like we have been thinking it was.

(*Please don’t misunderstand me, I mean by pre-Mongol the era before the Mongols appeared on the world stage [the Xixia invasion of 1205] and in just a couple of decades took over the better part of Eurasia.)

These other schools can wait until later. First, I’d like to direct attention to the Padampa and Zhijé texts. I estimate for now that there are about 25 such Zhijé fragments among the Matho, and will not try to cover them all just yet (some of them will feature in future blogs no doubt).  Right now I will limit myself to a question about early Zhijé art in Ladakh, more on Padampa’s women disciples,* and early lay religious movements: 

The cane flute in Padampa icons

Have a look at this photo, see how Padampa in a relatively large size (compared to nearby painted figures on the robes) is hovering there between the shins of the Bodhisattva of Wisdom and Science. Above him are the robes populated with images of the Great Siddhas (rather generic and difficult to identify individually, as Rob Linrothe has noted in his study).  He has a meditation belt around his knees and his characteristic white blanket loosely hanging behind him, otherwise unclothed.  Difficult to make out what he has in his right hand, but in his left he is holding a kind of white tube pointed downward.

I could show a lot of Ladakhi examples, for instance in the caves of Saspola, and in other sites in Alchi. Earlier Ladakhi sites all tend to have Padampa holding the white tube.  

Click here

It was Sarah Harding who noticed the connection and sent me the text, a Shangpa Kagyü text that she was working on. Tibeto-logicians should go here to view the text, while I suppose the rest of you will have to go to her new book that I don’t yet have on hand. The resulting blog can be seen just above.

So after those earlier revelations about the Shangpa connection had been sealed and settled, or so I thought, I was shocked and perplexed to find just a few years later this Matho fragment with the word “flute” right there on the first line. In the continuation you can see that the wording and the practice are both parallel with the Shangpa Kagyu text, one associated with Sukhasiddhi that Sarah Harding published very recently. So as it turns out we don’t need to imagine that Shangpa Kagyupas were active in Ladakh. This purely Zhijé text existing in Matho quite early on can explain the iconography without their help.

This hardly effects the other points made in the earlier blog. On the Sumtsek temple in general, I most highly recommend the central part of the following book: Peter van Ham with Amy Heller and Likir Monastery, Alchi, Treasure of the Himalayas: Ladakh's Buddhist Masterpiece, Hirmer (Munich 2018). However, there is hardly anything said there about the Padampa painting in question (most of it on page 53), and it differs profoundly with what I would say. For one thing, I don’t believe it is a later addition motivated by Drigungpa interests. I do believe it reflects a very early (ca. 12th century) iconography of Padampa, even if it may have benefitted from some later touchups. While Padampa was still alive there was no concept of any group of precisely 84 Mahâsiddhas, that only started to emerge as far as Tibet is concerned in the mid decades of the 12th century. Still, there are a lot of reasons why he might be associated with or even included within that group, so his portrait is by no means irrelevant in the place where it is found, it is hardly out of place. Of course, there will have to be more discussions on these points, but the newly emerging literary evidence practically hands us the reason why the painting is where it is on a silver platter.

Yuthokpa, HAR no. 185

Teachings found in the Yuthok Nyingtig may also have something about healing nectar being transferred by means of a flute.  Here in this slide you see two flute-playing goddesses dancing on either side of Yuthokpa the Elder. The cycle of medical teachings would have been emerging just around the first decades of the 13th century. We see opening up yet another avenue for  investigation even if we won’t go any further in that direction right now.

Carla Gianotti’s book on the subject of Padampa’s women disciples.
In Italian, an English version ought to be forthcoming.

Padampa’s women disciples

One of the biggest surprises in the Matho was to find fragments of a version of Kunga’s text on Padampa’s women disciples. Owing to its importance and difficulties this deserves more research and, before too much time goes by, an independent blog or two of its own. I mention it here because it connects to the discussion that lies ahead of us.

Here you can see a sample of the fragment about the women, women who went on to be spiritual leaders after scattering all over the Himalayan plateau in the early 12th century.

Lay religious movements

To begin with what may or may not be a remarkable point, these lay religious movements appear to have left hardly a trace if any in the Matho and other caches.

Over 25 years ago I did my best to find out about what may be the most obscure religious movements in 11th to 12th century Tibetan history, or in all of Tibetan history for that matter. That means I was keen to find something about them in the Four Caches.

The sources we do have are scattered and difficult to piece together. The earliest of the them that supplies a general coverage, and by far their most sympathetic witness, is in the appendix to the Chöjung history by Nyangrel Nyima Özer.  

In this slide I’ve made a kind of composite of various sources, all charted out in detail in the Kailash essay. No particular source has everything, but there is a great deal of overlap. You can find women leaders associated with Padampa among the Four Children, the Six Yogis, and particularly the Four Tirthika Dakinis. It is said the latter were originally teaching something contrary to Buddhism, but were then in some way corrected or converted by Padampa. But these are later and very possibly motivated narratives I hesitate to accept as historical reporting.

The first one listed, Karudzin, is mentioned in a couple of 13th century sources, such as Sakya Pandita and the ca. 1260’s author of the Single Intention (Dgongs-gcig Yig-cha) associated with the Drigung Kagyü.  

The second one, Sangyé Kargyal, was said to be a heretical teacher in the form of a spirit pretending to be a Buddha. Despite his initial success in winning a following, he was brought to ground by the Great Translator Rinchenzangpo. You learn about him in the Great Translator's biography, but he is only rarely mentioned otherwise.

Latö Marpo, or Dampa Marpo, is a particularly interesting figure because of his role in popularizing the recitation of the Mani Mantra. He is mentioned a little more often than the preceding ones.

But let’s stop there, I don’t have time to go into the details or supply anything like full coverage right now.  Just to say that I have long been on the lookout for any kind of written trace of them, and particularly useful would be any type of self-representation. This is because all we have available otherwise are external testimonies of varying levels of hostility often with the misunderstandings and the polemical distortions that are likely to accompany that emotion. So far I haven’t noticed anything obvious about them in the Four Caches, but I suppose this doesn’t have to mean much, particularly if these movements were not producing literature, a real possibility.

One other matter of considerable interest is that the Matho cache includes fragments from some relatively rare Padampa transmissions (see the chart above for the overall picture). Of course most fragments are from the Kunga (བྱང་སེམས་ཀུན་དགའ་) lineage belonging to the Later Transmission. Still, Middle Transmissions texts related to both the Rma and Skam lineages can be identified among them as well.*

(*The author of the root verses of the long Deyu history, the so-called “Khepa Deyu” [as distinguished from the Deyu José] that I spent 12 years of my life translating belonged to a third major lineage of the Middle Transmission, the So.)

Other religious schools

I’ll close by saying not nearly enough about other schools represented in the Matho.  Firstly the Kagyü: Specifically Kagyü texts are decidedly less well represented than the Zhijé.  That fact already gives some cause for reflection, but these were days before the flood of Kagyü contemplatives in the Kailash area that began to form a steady stream late in the life of Jigten Gönpo (འབྲི་གུང་ཆོས་རྗེ་འཇིག་རྟེན་མགོན་པོ་རིན་ཆེན་དཔལ་, 1143-1217 CE). It is by now well known among Ladakh historians that the Drigungpa school held prominence in Ladakh before it was virtually eclipsed by the Drukpa, as it is today.

The split between the Drigung and Taglung lineages, both of them Kagyü lineages, would not have taken place if it hadn’t been for a dispute about where donated books were supposed to be kept (“The Book Moving Incident of 1209”). Again, we would invoke the same passage at the end of the history by Nyangrel we mentioned before. Of course it is quite strange to our contemporary minds to see both the Zhijé teachings of Padampa and the Kagyu school as a whole placed together with other popular laypeople-based movements. 

When the Nyangral appendix was written in around 1200, at most one or two decades later, the public consciousness of Kagyu subsect identities was at its beginning. When Nyangrel discusses the Kagyü, for most part he just lists a wide variety of students and students-of-students of Milarepa. The only distinction he observes is in recognizing the existence of a “Tshal Circle” and a “Tshur Circle.” That means, of course, what we would call the Tselpa Kagyü, a lineage instituted by Zhang Yudrakpa Tsondrüdragpa, and the Karma Kagyü (with its main monastery at Mtshur-phu) instituted by The First Black Hat incarnate.  I believe that by the term circle he is referring to two mother monasteries while intending to include smaller affiliated retreat caves, temples and monasteries. 

Up to this point none of the eight subschools of the Kagyü that split off from Pagmodrupa were known, meaning to say there was no public awareness of any Drukpa, Drigung, or Taglung Kagyü existing in that time, not yet.  And this is borne out by the contents of the Matho and the other caches. We do find a text associated with Pagmodrupa, and a mention of his name in a small birchbark fragment you will see in a moment, still no inkling of any identifiable subsect of the Kagyü.

The Pagmodrupa-related text is the one illustrated at the end of the published Khyunglung facsimiles, a single folio with atrociously abnormal spelling, but at least it has colophon information. Because of this colophon we are tempted to move the date of the Khyunglung chorten closure to a century later than the others, sometime up to as late as 1300. It will repay closer study, as if that needed saying. I do find it remarkable that, in all the Four Caches, this would be the only Cutting/Gcod-related text.*

(*But then it’s peculiar, when I searched in “Mon-ban and List” I found that teaching entitled Ku-su-lu’i Tshogs-gsog has a lineage through Atisha that does not include Pagmodrupa. I must search also in The Record of Teachings Heard of the Great Fifth Dalai Lama.)

Pagmodrupa (note the spelling Phag-mo-grub-pa!) makes his appearance in the birchbark fragment you see just above.  This doesn’t mean much for our dating of the manuscripts. Of more significance is the absence of the names of any of his disciples in the all Four Caches, with the one exception of the Khyunglung colophon we just mentioned. The odd thing is that this Khyunglung colophon title does after all belong to a known title of a work of Pagmodrupa, one found in his Collected Works (as was normal in those days, his was a Kambum, not a Sungbum), and that work is not about the elephant-hook-equipped Mahākāla as the published version says. This is incorrect. It’s about the practice of Cutting usually believed to have been originated with Machig Labdrön.* But really, this is the one and only text, in all of the caches, on the subject of Cutting practice, and it dates later than all the rest. That could mean something eventually, once it is found to lend its weight to a larger discussion. Our most significant point at the moment is that a prominent Kagyüpa gets to be the author of that one-and-only Cutting text, and he was not a member of any discrete Cutting school.**

(*I do think regarding her as originator makes sense so as long as we don’t allow ourselves to get too doctrinaire about it. Nothing is really ever the work of a single genius working alone, regardless of what some hopeless romantics like to imagine. **More discussion is appended below.)

Now what about the school purportedly founded by the Noble Lord Atisha of Bengal?  The Kadam school can be understood to have its beginning during Atisha’s visit to Tibet of 1042, but came to be known by this name only some decades later. Let’s just say there are four texts that are clearly and unambiguously enclosed within the Kadam realm. At the same time there  any number of scriptural and Indic commentarial texts that were supposed to be studied by Kadampas.* We could say almost the same about the Sakya school, that there are many scriptures and commentaries that Sakyapas may have used, but how many texts could I find that are directly related to the Sakya or to Sakya figures? Not one.**

(*It seems the name of Kadam only became widely known as the name of a distinct school in around 1075, while public knowledge is quite well demonstrated later on, in dialogues that took place during the two decades Padampa spent in Tingri. **Leaving the Four Caches aside for the moment, this silence might yet contribute to a future assessment on the pre-1200 level of prominence, even while their post-1200 prominence is not in the least in question. While there are clear signs that Sakya figures in the 12th century, in particular Dragpa Gyaltsen, were aware of the Kagyü school, the reverse doesn’t seem to be the case, and we ought to look into this. Well, on second thought, what I just said is contradicted by Pagmodrupa, who studied Lamdré with an early Sakya master before meeting Gampopa...)

I should go on and on to speak about the Nyingma content in the Four Caches, but these have featured already in some earlier blogs, so I’ll send you back to them* if you want to hear more and we’ll say farewell for now.

(*The All Making King’s Earliest Fragment.  

The Only Terma in the Matho Termas.)

Well, sorry to hold you at the door just as you were ready to leave, but I suppose I ought to come to some kind of conclusion. I believe we are still far from understanding the era of Tibetan history that preceded the Mongol conquest of Eurasia. That holds true for its religious history, as well as other areas of research. That this time was crucial for the emergence of most of the sectarian affiliations known to us today goes without saying. But there were also movements afoot in those times, of various kinds, that have faded or disappeared from our history books. And these movements and supposed “foundings” were interlinked in ways that slowly come into view. 

That we now have these Four Caches of manuscripts with a quite well established cutoff date of 1200 opens a lot of new avenues of research that could bring much needed light. I realize that some will want to call the result “revisionist” history, so I would like to remind them in advance that history has always been revising itself. It is the history of that revisionism that we most need. Keener knowledge of it could enable us to see with greater clarity, to see through it and achieve greater surety about events and processes that took place in their own time and in their own terms, not ours. We would make ourselves dictators if we pretended to set the past in stone as a monument to our own self-serving concepts.

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For a limited time only, you might be able to find a video of most of the talk here (the opening words were not recorded). The oral and written versions are definitely not identical:

https://drive.google.com/file/d/1fQpmJcKfUgP1RpRAcp6aqVfXzkOUg4CX/view

• Appendix on the Problematic Pagmodrupa Text in the Khyunglung Cache

Mgon po gru gug skor gyi yig rnying thor bu is the title given at p. 211 of the published book in the upper right hand margin (gru gug should have been spelled gri gug). Here we find a single folio, but it appears as if it could be a complete text, or at least the final folio of one.

At p. 212 line 9 (or 213 line 19) the following title:  Ku-su-lu'i Tshogs-gsog. I found among the works of Phag-mo-gru-pa a text with exactly this title:  Ku-su-lu'i Tshogs, or, Ku-su-lu'i Tshogs-gsog (just search BDRC for it).  The texts need comparing closely, as I see parallels in the last parts.

Colophon: phung po gzan du sgyur ba’i mchod pa phag mo grub pas spa’ ldan lum / gnyan sgom ras pa la [/] des ya’ chung gseng ge rgyal tshom la bla ma bdag la... I’d say the author is tracing the teachings that came from Phag-mo-gru-pa up through his own teacher named Seng-ge-rgyal-mtshan (?). What looks like Dpal-ldan Lum might actually be Dpal-ldan Ldum, and therefore this person: Chos-rje Ldum, a disciple of Phag-mo-gru-pa. See Blue Annals, p. 563.  Probably equals Chos-rje Bum known elsewhere. I couldn’t find any Gnyan-sgom-ras-pa, although one named Gnyan-ras-pa or Gnyan-ras Dge-’dun-bum was teacher of The Third Black Hat Karmapa incarnate (1284-1339), so this would bring us up to around 1300! In any case such a date would make sense for the activities of a spiritual grandchild of Phag-mo-gru-pa.

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Email from John Bellezza (May 3, 2024):

Dear Dan, I don't want to be a bug-bear but when you compare the Gathang Bumpa mss. with the Toling ms., which I just downloaded, there are significant differences in the scripts used. On paleographic grounds, I think this comparative exercise justifies dating the GB mss. to before the 11th century. One must do the legwork still, but grammatical and orthographic analysis are likely to bear this out too.

Ph Kh

My answer (May 4, 2024):

Dear J, Yes, I know those captchas are often impossible even for young people with sharp eyes, but I have to allow them, otherwise we’d be swamped with enhancement and disfunction ads. I don't myself doubt the Gathang could very well go back to the late 10th century as physical manuscripts, I just don't know. The one thing I am relatively certain about is that all of the Four Caches were closed at about the same time in around 1200 (the Khyunglung perhaps a century later, but anyway). By Toling I take it you mean the history book, since the cache as a whole is not yet out there for downloading. Or is it?  If you think about the Matho, there are quite a lot of them that based on their content could be dated at earliest to mid-11th or mid-12th centuries. That would go for all the Zhijé fragments that had to have been inscribed during the long 12th century, definitely not before the 12th.  The history book from Toling, too, by its content, has to be mid- or late-12th-century (detailed discussion in D. Pritzker's dissertation).  All that is fine by me, since the 12th century is the very time I'm interested in knowing more about.

Yours, D.

A video on the Gatang cache:  

If there were a bibliography, I should have included a 2019 video of a lecture in the Khyentse Lecture series by Toni Huber of Humboldt University entitled “Recently Discovered Ancient Tibetan Manuscripts and What They Reveal about Old Cultures of Ritual and Some Tibetan Buddhist Innovations.” Tap on the title and you will be there.