Padampa in the Vatican?

 

༄༅།།དངུལ་སྒོང་གི་བཤད་འབུམ་ལོ་རྒྱུས་བཞུགས་སོ།།

Recently back from a spell in Rome, I have exciting news to tell you about something I found out about while I was there. Just a few days before departure I received a gift of an article attached to an email. On its first page, I noticed a title that to my mind could only mean it was a work of Padampa or a commentary on the same. And if it were in the last place in the world you would expect to find a work of his, it would have to be the Vatican Apostolic Library.

That same evening I typed the call number into the Google search box and Wallah! Presto! The first page of the text you see illustrated above was there in front of my eyes, undeniably appearing to exist. A miraculous but persistent materialization in digital form.

The article by Filibeck (details below) was about two texts related to missionaries among the very few Tibetan-language texts so far identified in the Vatican collection. Not about this one. This one has the front title-page title in cursive Tibetan script, Dngul-sgong-gi Bshad-'bum Lo-rgyus.* First of all, bshad-'bum literally means explanation collection, but what it really is is nothing but an uncommon pre-Mongol era word for commentary.** So this would be a commentary on the Silver Sphere, a work familiar to the world’s burgeoning numbers of Zhijé specialists as a text containing teachings by Padampa’s 54 Indian spiritual mentors. But then we also see the word history (lo-rgyus) there, making us think that a later text in the set may be indicated (it does indeed contain at least one fragment of a history even if its cover title is dkar-chag, or table of contents.)

(*This title was probably meant to cover the entire collection, although this is not at all obvious without looking further into its content. **The entire fifth volume of the published ZC is taken up by a bshad-’bum by Tenné. Another rare use is in the title of the 11th-century Indian teacher Smṛtijñānakīrti’s commentary on the Mañjuśrīnāmasaṅgīti with the title in Tibetan being ’Jam-dpal Mtshan-brjod-kyi Bshad-’bum.)

When the first folio first popped up on my screen, I was thrilled, even a little delirious, it’s true. But when I started to look into it my feelings of elation were tempered with dismay, as I started to notice there are missing folios. As it turns out quite a lot is missing. Even to describe what is there is complicated by the page numbering systems (both the pencilled-in Arabic numerals and the numbers given to the scans). Finally, I made a listing of the pages that may be seen there, ignoring the added numberings completely, typing out titles and colophons and even some bits of the text itself. I’ve appended this sketchy document below. Tibeto-logicians should find it useful for navigational purposes.

To make a general assessment, even if it may be too early for it, I’d say that there are pages from texts unknown to be extant anywhere else. And another matter I’m quite sure about is that all or most of it constitutes a kind of Selected Works of one of the three famous brothers of the Rog family, disciples of Tenné who sought out and put together both major and minor Zhijé teaching lineages (including Cutting practices) as well as Nyingma teachings. The most important and here relevant of the three is Rog Zhigpo (1171-1245), the same one who authored the main early Zhijé history.*

(*ཞིག་པོ་ཉི་སེང་ aka ཉི་མ་སེང་གེ aka རིན་ཆེན་ཤེས་རབ་. His untitled history of the early Zhijé lineage is found in ZC, vol. 4, pp. 324-432.)

The colophon of the initial text* mentions Gomchen Drak (བསྒོམ་ཆེན་བྲག་) as the place of composition. From other sources we know this was a retreat place for Rog Zhigpo between the years 1207 and 1228. It was also the place where his mentor Tenné died at a very advanced age, somewhere in his ’90’s (in 1217?).

(*On the recto of fol. 76[101].)

The root text behind this commentary is preserved in the Zhijé Collection, vol. 1, pp. 235-242 and elsewhere (see Schaeffer’s essay, pp. 27-28 for transcribed title and colophon). It has been Englished by both Harding and Molk (both listed below).

A commentary on the Silver Sphere is listed in the Drepung Catalog, p. 1008, in 64 folios, but there is no clear reason to believe it is the same as the one in the Vatican set. What the Vatican library does have is surely the ‘same’ as still another one listed in Drepung Catalog, on p. 1084:  Zhig-po Nyi-seng (i.e. Rog Zhigpo), Thun-mong-gi Brgyud-pa Dngul-sgong-gi Bshad-’bum, a manuscript in 42 folios. On the page just before notice yet another commentarial text in 61 folios by Zhig-po Nyi-seng on the same root text listed as Dri-med Dngul-sgong-gi Sgom-'bum. By its title it would appear to be a Meditation Collection rather than an Explanation Collection!

One not so subtle difference between the root text and the Vatican set’s commentary is in their internal order. The Vatican begins with teachings of the ten women mentors,* while the root text has them at the end, after the men. Was this idea to put the women first regarded as a common courtesy, or is there more to it?

(*These ten women gurus of Padampa as well as the men were listed in an earlier Tibeto-logic blog, “Padampa Portrait - Part Two.”)

So, I suppose what it comes down to is this: We owe to the Vatican the one and only now available commentary on the Silver Sphere. Of course it is only partial, which is sad. The only hope we have today for a complete text of it lies in the Arhat Temple in Drepung.

But before saying arrivederci, let’s have a word about the history text in the Vatican set, the one that seems to be briefly referenced in the front title by the word lo-rgyus (see Sun’s essay). I believe if matters were looked into more closely, this fragmentary history that assigns itself a date corresponding to 1237 CE, places the date of death of Padampa in 1105 rather than the accepted orthodoxy 1117. That means it agrees with the chronology by Katog Rinzin (listed as no. 410 in the new edition of Tibetan Histories), making me more firm in my belief that it’s necessary to shift dates back in time if we are to make Padampa’s stay in Tingri come into line with the reign dates for King Tsedé. But that argument is still in the process of formation, so I’ll leave you with this for now. The issue of dating is something the Vatican set can possibly help us with. No doubt there is more to learn from it. Ciao for now!

References

I highly recommend going to this Vatican Library site to see the whole set:  

https://digi.vatlib.it/view/MSS_Vat.estr.or.171.

A word to the wise, in their evident belief that the language is Hebrew or Arabic, the librarians make us scroll left rather than right to go to the next folio side. And if you haven’t mastered Tibetan cursive script, I’m sure that’s something you’ve vowed to work on, so now is your chance. And if you’ve already learned cursive but find the shorthand spellings mystifying, see this essay by Jörg Heimbel, posted at academia.edu just today.

Elena De Rossi Filibeck, “Texts from Tibet, a Land of Mission,” contained in: Maria Gabriella Critelli, ed., Miscellanea Bibliothecae Apostolicae Vaticanae XXVIII, Biblioteca Apostolica Vaticana (Vatican City 2023), pp. 161-187. The Zhijé text receives its brief mention on p. 161 in footnote 1 as “an incomplete miscellany of historical and teaching texts called Dri med dngul sgong (Vat. estr.-or. 58).”

Sarah Harding, tr., Zhije: The Pacification of Suffering, Snow Lion (Boulder 2019). The root text behind the commentary, “The Pure Silver Egg of the Stainless Path,” is translated into English on pp. 31-40. For easy access to the Tibetan, go here, but be patient while it downloads. Look also here, especially for the useful English introduction to the “Egg Trilogy.”

David Molk, with Lama Tsering Wangdu Rinpoche, Lion of Siddhas: The Life and Teaching of Padampa Sangye, Snow Lion (Ithaca 2008). The root text behind the commentary, “The Stainless Path of the Silver Egg of Speech” is translated into English on pp. 314-320.

Kurtis Schaeffer, “Crystal Orbs and Arcane Treasuries: Tibetan Anthologies of Buddhist Tantric Songs from the Tradition of Pha Dam pa sangs rgyas,” Acta Orientalia [Oslo], vol. 68 (2007), pp. 5-73.

Sun Penghao, “Notes on the Tibetan Lexeme lo rgyus: Other than ‘History’,” contained in: Kurtis R. Schaeffer et al., eds., Histories of Tibet: Essays in Honor of Leonard W.J. van der Kuijp, Wisdom (New York 2023), pp. 421-433.

Zhijé Collection (ZC)  — The root text of the Silver Sphere is in vol. 1, pp. 235-242. This collection is by far the most important available resource on Padampa and his Zhijé teachings (originally a four-volume manuscript, it was published in five). TBRC (Tibetan Buddhist Resource Center) makes it available in PDFs, which is wonderful, but they have it under the name “Zhi byed snga bar phyi gsum gyi skor.” This incorrectly made up title states that it includes the early (snga) and middle (bar) transmission texts of the Zhijé, when in fact its content is limited to the Later Transmission (phyi) alone.* Some day they will listen to me and correct this old mistake rather than allow it to continue generating confusion. 

• To get to the Zhijé Collection, try this link, or if that doesn’t work, try this one — https://library.bdrc.io/ — and type “W23911” in their search box. 

In the future, if a Tibetan title for the collection is needed, I think it ought to reflect the title that is actually there on the manuscript. Although difficult to read in the reprint edition, it is more legible in the microfilm that was made independently by the Nepal-German Manuscript Preservation Project. What we find there is this: Dam chos snying po zhi byed las / rgyud phyi snyan rgyud zab khyad ma bzhugs // glang skor bzim chung phyag pe'o [~glang 'khor gzims chung phyag dpe'o]. If a short title is needed, I recommend Zab-khyad-ma, which means [the manuscript primarily, but possibly also the transmission it represents called] Exceptionally Profound. Use the English if you prefer.

(*This means primarily the one transmitted by Kunga, although there were three other disciples of Padampa who held transmissions that are also called “later” and that once had smaller text collections that have not surfaced yet. We know they existed in earlier times, as their length is sometimes quantified.)

On the present condition of the manuscript, see this posting: https://tibeto-logic.blogspot.com/2018/01/the-zhije-collection-suffers.html.

+  +  +

Notes on the Vatican Padampa Set

A word on pagination: I give both folio numbers [the 2nd in square brackets] when there are two on the same folio. These aren’t entirely sure. There are problems with the pencilled numbers supplied to the folios (not to mention the numbers used to label the scans), so rather than use them I try to rigorously follow the dual-page-number system written in the margins of the folios, while ignoring the others. The higher numbers in square brackets ought to be the continuous “running” numbers. If you are interested in pursuing the pagination studies, this page ought to prove useful. I put solid bullets (•) whenever a new text begins. I put actual title-page titles (they are few) in bold.

1[28]  Dngul sgong gi bshad 'bum lo rgyus.

2[29]

3[30]

5[32]

17[42]

73[96?]

74[97]

75[100]

76[101]  Colophon:  dri med dngul sgong gyi 'bum / bsgom chen brag du bkod pa // rdzogs s.ho // Ends with a statement of proofing completed, and then what is likely a statement of book ownership:  cha dpon dpe (rtsa dbon dpe? tsa pho ra dpe?).  Verso blank, but with Vatican call number "stamp" that literally looks like a postage stamp.  

•

New Text (initial folio not there!):

2[113?] line 2  dang po lam sbyang bya pha rol tu phyin pa yin pas lam myi nor bar kyang / 'phags pa sdud pa las...

3[115?]

4[116]

18[130]

20[132]

21[133]

22[134?]

23[135]

24[136]

26[138a] a final fol. of a text. Colophon at verso line 1  blo dman rin seng bdag gis yi ger bkod //  // ... ... [line 3] khrid kyi gsung sgros / blo ma rig mun sel gyi yi ge'o...

•

Now there is a new title, very much a Five Paths (ལམ་ལྔ་) and Pâramitâ (ཤེར་ཕྱིན་) text to begin with, although mantra & Mahâmudrâ (ཕྱག་ཆེན་) come in later on.

27[138b]  Title-page title: Khrid kyi dpe'.  verso [line 1]: bla ma byang chub sems dpa' ding ri ba chen po'i chos 'di...  [line 4] ...mying dri med thigs pa phyag bzhes kyi chos skor du btags...

28[139]

31[142]

32[143]

33[144?]

34[145]

35[146]

36[147?]

37[148]

38[149]

39[150]

40[151]

41[152]

42[153]

43[154]

44[155]  Verso begins: dus gsum bde gshegs rgyal ba’i yum mchog dang...  [line 2] dmar byang lam gyi snying po bsdus pa’i gnad // thugs kyi bcud phyung rin chen phreng ba ’di // bla ma’i bka’ las rab rtogs gsal ba don / mi brjed gzungs su cung zad yi ger bri //  ...  Note the name of Byang chub sems dpa' Kun dga’.

45[156]  recto line 3:  gsum pa mtshan ni / phyag rgya chen po dri med tigs pa phyag bzhes kyi chos skor ro.

46[155!]

47[158]

48[159]

49[155!]

50[158!]

51[159]

52[160]

53[161]

54[162]

55[163]

56[164]

57[165]

58[166]

59[167]

60[168]

61[169]

62[170]

63[171]

64[172]

65[173]

66[174]

67[175]

•

Note:  The text is not continuous, so no reason to think the next two unpaginated (or cut off pagination) folios belong to the text that came before!

1st unmarked fol.  The fol. no. is cut off in the scan only it seems, same with the following folio with the colophon.

2nd unmarked fol. (a final fol. of some text).  Ending with no colophonic information except an added note on the place where it was scribed [line 5]:  chos 'di nyams su len pa la rtags rig pa dangs pa la yang char ba yin bas / tshe 'di'i rtog pas ma dkrugs par mdzod //  yon rdzas tshogs pa las 'byung bas / chos phyogs su dka' 'jen grub tshad du thong gsol / yid ches mtsham sbyor ma log pa la skye bar 'dug cig / bla ma la mos gus chen po gyis / sa lam sngags kyis gcod pa yin gsung bas / sgyu rtsal dang ldan gyi snying po la rem pa thon cig // grub pa thob nas yong cig ang //  // [different hand:] zhus de dag par bgyis so //  // iti.  The verso has, in the same dbu-can writing:  // gdan sa rin po che / rnam grol dgon par bris //  I couldn’t immediately identify this Rnam grol Monastery.

•

New text, apparently, with only one set of p. nos. rather than the usual two.

13(?)  Begins:  sgom chen de ro zas ro gos kyis ’tsho yang...

•

New text (Dkar chag), in fact  historical chronology.

1[25]  Title-page title:  Dkar chag.  Verso:  thams cad mkhyen pa la phyag 'tshal lo // skal pa bzang po 'di la 'dzam bu'i gling du / sangs rgyas stong tham pa byon par gsungs pa las / drug sngar gshegs pa'i shul / tshe lo brgya pa'i gsham / shing po byi pa'i lo la ston pa yang dag par rdzogs pa'i sangs rgyas shag kya thub pa sku bltam ste / dgung lo bcu' dgu' la khab bzhes / nyi shu rtsa gsum pa la rab tu gshegs / rtsa lnga nas dka' thub la bzhugs / sum bcu' rtsa lnga la mngon par rdzogs par sangs rgyas nas / chos kyi 'khor lo rim pa gsum du bskor te / brgyad bcu' rsa gnyis shing mo bya'i lo la sku mya ngan las 'das te / shul du bstan pa lnga stong gnas par gsungs pa la / me mo bya'i lo 'di la brtsis pas / sangs rgyas mya ngan las 'das pa'i nub mo / 'phags pa dgra bcom pa tshe 'phel [mchan-note sde snod 'dzin pa xxx zer ro/] zhes bya b de sku 'khrungs / khong la sangs rgyas kyis byin gyis brlabs pa tshes lo lnga brgya thub cing / sangs rgyas kyi bstan pa dar bar mdzad do //

de gnyis tshe lo dgu' bcu' ru kha ral ba'i dus yin no //  // slob dpon klu grub sku 'das pa'i nub mo / 'phags pa thogs med sku 'khrungs te / khong yang bcud len gyi grub pa thob pas tshe lo lnga brgya thub cing / sangs rgyas kyi bstan pa dar ba ru [~rgyu?] mdzad // thogs med sku gshegs pa'i nub mo / bram ze a rya de ba sku 'khrungs nas / khong yang 

2[26] bcud len grub pa tshe lo lnga brgya thub ste / sangs rgyas kyi bstan pa yang dar ba'i dus / tshe lo ni sangs rgyas ru kha ral pa'i dus yin no //  //  a rya de ba 'das pa'i nub mo / slob dpon pad ma sku 'khrungs ste / khong gis tshe la dbang ba'i rig pa 'dzin thob pas tshe lo yang stong tham pa thub /  de'i bar ni tshe lo bdun bcu' ru kha ral pa'i dus yin no //   drug bcu' kha ral pa'i dus su /  slob dpon pad ma lho nub tu bzhud pa'i nub mo /  dam pa rin po che sku 'khrungs te / bcud len grub pas tshe lo lnga brgya' thub par lung bstan nas / mkha' 'gro ma rnams kyis 'gro ba'i don la bdun bcu' tham pa phyi ru bsgyur ba las / gsum gyis ma longs pa na sku gshegs te / shing mo bya'i lo / ston zla 'bring po / skar ma mon gre'i zla ba'i / tshes bzhi'i nam gung la gshegs nas / me mo bya'i lo 'di ru / lo brgya dang sum bcu ' so gsum yong ba yin no // [Since Padampa's death in Wood Female Bird year, or 1105, until now, the year of Fire Female Bird, 133 years have passed, meaning 1237!]   bla ma byang chub sems dpa' lcags mo yos bu'i lo pa / lo sum bcu' so bdun pa dam pa dang 'byal te / lo bcwa' brgyad bstan nas lnga bcu'i nga lnga lon pa'i dus su / dam pa sku gshegs nas / shul du lo bdun bzhugs te / drug bcu' rtsa gnyis pa la mkha' spyod du gshegs //   gshegs nas me mo bya'i lo 'di ru / l brgya' dang nyi shu rtsa drug du 'gro ba yin no // // [Since the death of Kun dga' in 1124, 126 years have gone by until the present Fire Female Hen year, which would again have to be 1237]  de'i slob ma pa tshab tshul khrims 'bar ni / sa mo bya'i lo pa yin pas lo bcu' gnyis pa la rab tu byung nas slob gnyer mdzad / sum bcu' so bdun shing mo bya'i lo la bla ma byang chub sems dpa' dang 'byal [~mjal] nas /  [verso]  lo gsum bsten ste bzhi bcu la mar la byon nas / zhe gsum nas sgrub pa mdag char lo bcwa' lnga mdzad //  nga brgyad pa la bton nas chos gsungs // brgyad bcu' brgya lnga pa chu mo bya'i lo sku gshegs / gshegs nas me mo bya'i lo 'di ru / lo brgyad bcu' brgya lnga song ba yin no //  

de'i slob ma dpal rgyal bsten ne [~rten ne] ni /  me mo lug gi lo la / lo nyi shu rtsa gnyis pa la bla ma pa tshab dang 'byal nas lo ngas bsten //  nyi shu drug nas sum bcu' so lnga tshun chad bsgrub pa mdag char mdzad //  so drug nas gsang spyod rgyal 'khams skor zhing sgrub pa mdzad // lnga bcu' lon nas gsang spyod bshig nas gdams pa'i snod ldan btsal // drug bcu lon nas bya ba btang nas sprang spyod bskyangs / bdun bcu' rtsa gcig lon tshe gra ru byon nas gdams pa gsungs // brgyad bcu' lon tshe thugs dgongs rdzogs te dge 'tshor mdzad // [here and in following part of the line there are tiny mchan notes that ought to be read at better resolution]  ban rgan sgom yang de'i dus na grongs // de nas dgung lo dgu' bcu' rta gcig me mo glang gi lo la / dbyar zla ra ba'i sa ra sa gas nya ba'i ti su dgu' [??] / srod thun dang po gza' skar tshang ba'i dus / sgra 'od sa g.yos dang bcas nas bla ma gshegs / tshes gsum gyi nyin mo pur bzhu' bas bar snang 'ja'is khyengs // rten yang thug med byon pa thams cad nges shes skyes // bla ma gshegs nas me mo bya lo 'dir / lo ngo nyi shu rtsa gcig lon pa yin no //  //  de'i slob ma sprang ban gnyoms chung bdag /  skal par tshogs bsags las su rgyud sbyangs nas // dal 'byor lus thob dam pa'i ... [Next p. marked "20"]

•

New text (also bio-historical in nature).

[20] This page has a section-ending colophon that tells us what we have is the very end of a biography of Rje-btsun Chen-po (i.e., Rten-ne).  The next section is discussing why it had to be a one-to-one transmission (discussion continuing on the back).

[21]  At line 3 ends the discussion about the one-to-one transmission.  Then, at line 4 begins the fourth and final general topic of the Lo-rgyus, an account of Rten-ne (here again called Rje-btsun Chen-po).  This topic is in its turn divided into four subtopics...

•

New text (no marginal page no. is given).  I believe this is just a test scan and might be ignored, just like the one with the color chart.  

PS (March 27, 2024)

Oddly, it only now occurred to me that on a day shortly before Easter I posted a blog about a Silver Egg (Harding argues in favor of Egg where I translate Sphere) in the Vatican. Just goes to prove once more that everything is already entirely interrelated, right?

1 egg = 250 kilos of chocolate

Postscript (July 9, 2024):

I only recently received in an email from Elena De Rossi-Filibeck of Rome the following information:  

“The Padampa text DigiVatLib number Vat.estr.or.171 is part of a donation from an Austrian or German gentleman who purchased the text in Bhutan in 1989. In the last folio there are the following words: ‘Sutra gekauft 1989 in Bhutan, Herbert Jemen 1989’.”

I will have to accept this on faith as so far I was unable to actually see any German inscription on the manuscript scan.

I believe this is the best we can do on the question of its recent provenance for the time being. It was a modern donation to the Vatican Library by one named Herbert Jemen, who purchased it in Bhutan in 1989.  I admit I was a little disappointed by this information, since I had been wondering if it may have once belonged to Cardinal Stefano Borgia, the famous book collector of the 19th century, given his strong interest in manuscripts in every language. This is not the case, as it turns out.

About the identity of Herbert Jemen, I haven’t any idea. I don’t recognize the surname, and could find nothing on the internet. It is a common way of writing the country name Yemen in German and some other languages.